About Us >
Our Trustees come from a wide range of musical and professional backgrounds from within the music industry and beyond. Together they give us an impressive wealth of expertise, including knowledge of all music genres, from urban to folk, from classical to jazz.
Royce Bell joins the board from a management consulting background, having been the CEO of Accenture Information Management Services. In addition to his business know-how, Royce brings extensive experience of working in non executive roles in nationally acclaimed arts organisations such as Punchdrunk Theatre and Youth Music Theatre UK. Royce is also a long standing member of the Development board of the National Theatre.
As PRS for Music Foundation’s chair, Royce will support and lead the Foundation through its next phase of development which will see the Foundation striving to give more support than ever to the hundreds of talented artists and organisations who are making outstanding music in the UK.
Ameet Shah is a management consultant with professional experience in telecoms and high tech. He worked at Bain & Co, Andersen Consulting/Accenture (where he was head of the TMT Strategy practice in London) and also at PRTM (Head of Telecoms Europe), where he helped his clients develop their strategies and implement major programmes of change and organizational development. In addition to consulting, he spent 3 years at the GSM Association, a non-profit trade association for the mobile industry where he was in charge of strategy and commercial development, and 2 years at Ericsson in a strategic business development role.
Although his professional background is in commercial, strategic and organisational development, in change management and in finance, he has a deep interest in literature, music and the Arts. Ameet has been a Trustee of PRS for Music Foundation since 2012. He is also Chair of MeWe Foundation and a Director of Azenby Ltd.
Caroline Norbury MBE
Based in the South West, Caroline Norbury MBE is the founding Chief Executive of Creative England and dedicated to championing the creative industries.
Prior to establishing Creative England Caroline was the Chief Executive of regional screen agency South West Screen; the public body responsible for leading the strategic development and promotion of the film, TV and digital content industries in the South West of England. She has extensive experience of the media industry as a producer, director and commissioning executive and was previously an independent producer and Chief Executive of First Take Films.
Caroline is a member of BAFTA, the Royal Society of Arts, the UK Trade & Investment Creative Industries Sector Advisory Group and leads on the work of the Creative Industries Council Access to Finance working group. She was awarded an MBE in 2012 for services to the film industry.
Edward Gregson is a composer of international standing, whose music has been performed, broadcast, and recorded worldwide. His music covers many genres, from chamber, instrumental and choral, to theatre, film and television, and he has written orchestral music for the English Chamber Orchestra, Bournemouth Symphony, Royal Liverpool Philharmonic, BBC Philharmonic and Hallé orchestras. His most recent work for orchestra, Dream Song, was commissioned by BBC Radio 3 for the ’Mahler in Manchester’ Festival. Edward is also internationally renowned for his contributions to the wind and brass repertoire.
Edward has enjoyed a distinguished academic career. He was Head of Composition, then Professor of Music, at Goldsmiths College, University of London, and from 1996 to 2008 he was Principal of the Royal Northern College of Music (RNCM) in Manchester. He was a founder Trustee of Youth Music, founder Chairman of Conservatoires UK and is a governor of Chetham’s School of Music. He holds many honorary degrees and fellowships from leading English universities and conservatoires, and is an Emeritus Professor of the RNCM.
John Reid is a music and entertainment lawyer and a Partner with Russells, the UK’s leading music law firm, and an avid fan of music and the arts.
After studying Music and Politics and Economics at Oxford University, he worked for a management consultancy firm in the City for a number of years. Finding that not entirely to his liking, he enrolled in the UK’s National Film and Television School, funding his studies by simultaneously working freelance for the Economist Publications. After film school, Julian worked as an independent documentary film producer, making films for Channel Four Television, Arte Channel and WGBH Boston. Along the way he qualified as a (non-practising) barrister.
At film school, Julian met the animator Nick Park, writing the music for his early Wallace and Gromit films. When these films became such a huge success, the offers started to come in and Julian switched to film scoring full time. His work still includes much animation (“Wallace and Gromit in the The Curse of the Wererabbit”, “Peppa Pig”, “Ben and Holly’s Little Kingdom”, “The Hungry Caterpillar”). Feature films credits include the soon to be released “The Decoy Bride”, “My Mother’s Courage”, “Heavy Petting” and “A Man of No Importance”. On television, recent credits include all four series of the BBC’s popular “Lark Rise to Candleford” and David Jason’s comedy “The Royal Bodyguard”. Julian has scored many TV and film productions over the last 15 years. He has provided the scores for six productions that have won or been nominated for Oscars and 12 for BAFTAs.
Mark is a Chartered Accountant with over twenty five years of financial and commercial experience. He currently acts as a corporate adviser and non-executive director on a number of companies including PRS for Music. He previously worked for the Virgin Group for over 20 years (with ten years as Group Finance Director) where he was responsible for financial strategy including corporate finance, tax, treasury, accounting and financial reporting. Mark has gained significant experience in most aspects of finance and taxation in a dynamic, large, complex, diverse and multinational commercial organisation. He served as a non-executive director and committee member of numerous operating and holding companies including amongst others the Virgin Group main board, Virgin Atlantic (airline) and Virgin Active (gymnasiums).
Mark is currently a Board Governor and Treasurer at the International School of Geneva comprising three large campuses with over 4,400 students.
Richard joined Faber Music as an editor in 1989, initially responsible for the Company’s educational and commercial printed publishing programmes, and became Managing Director in 1999. He is now CEO of the company and serves on a number of industry boards, including PRS for Music, MPA, PMLL and Sing Up. The company has grown substantially under his leadership, across its classical and media rights and also in its print and print-related services.
As a hands on CEO of an all-round, international music publishing company, Richard has on-going, day-to-day experience of working with a wide range of composers and writers in the classical, media and educational fields. The company’s widely-respected list includes leading classical contemporary figures such as Adès, Benjamin and Knussen, media composers such as Carl Davis, Howard Goodall and Dan Jones, and some of the most highly-regarded educational writers in their fields. Richard is passionate about quality in new music. While classical contemporary music has defined much of his career in publishing, he is drawn towards PRS Foundation through a life-long love of music across all genres, particularly in live performance.
Simon Platz is Managing Director of the Bucks Music Group and has 20 years of experience in international music publishing. Bucks Music has a varied roster of composers covering all types of music genre from drum and bass to jazz, and media music. Recent Ivor Novello successes include Beautiful Liar by Beyonce & Amanda Ghost, You’re Beautiful by Amanda Ghost, Sacha Skarbek & James Blunt, and Elizabeth by Rob Lane.
Simon Platz is a Publisher Director of PRS for Music, a Director of the Music Publishers Association, and has been chair of Heart N Soul, a disability arts group based at the Albany in Deptford.
Stephen McNeff is an internationally-renowned composer. He has written major works for opera, music theatre and instrumental including Tarka the Otter, which won a British Composer Award in 2007 and a major re-reworking of Debussy’s Pelléas et Mélisande, nominated for a Royal Philharmonic Society Award. Stephen McNeff has also written highly-acclaimed instrumental pieces including Cello Sonata, a Piano Quintet, Ghosts and a large number of works for wind ensembles. Stephen has also been composer in residence with the Bournemouth Symphony Orchestra and Banff Centre, Canada.
Stephen McNeff’s works are published by Peters Edition (orchestral, opera, chamber and vocal), Maecenas Contemporary Composers (wind orchestra), Samuel French Ltd (theatre scores) and Canadian Brass (brass).
Vanessa Swann is Chief Executive of Cockpit Arts, an award winning social enterprise and the UK’s only creative business incubator for designer-makers. She was previously the Deputy Director of the Design Museum and Director of the Commissioning Service at Contemporary Applied Arts. Prior to this she headed the RSA Art for Architecture scheme. In 2010 she was awarded the Arts & Business Garrett Award for outstanding achievement in a professional capacity in the encouragement of business support for the arts.